Every once in a while when I read a
book, while I can appreciate what it’s doing, I just can’t get into it. That’s
what Kanthapura was for me—I could
fully appreciate the importance and significance of its subject, but for me,
something was off.
Why is this image so blurry? We just don't know. |
The
novel depicts a fictional town/village in India in the late 1930s. The town is
slowly getting introduced to Gandi and his followers. The whole book is written
from the perspective of an unnamed female protagonist, an older woman in the
village, who connects with the other women there to help push for Gandian
policies.
There
were lots of cool things happening in this book. First, since it was published
in 1938, the author didn’t know whether or not India would actually become
decolonized. It’s interesting to see how he worked his way around that
knowledge gap and how he planned and executed his ending to reflect that. It
was also really cool to see the
female characters taking action in this book. I was surprised to see how much
agency they had gained by the end of the novel. It was awesome. I was
impressed.
The
difficulty for me was the way the novel was written; since the author was going
for a narrative spoken by an older village woman, it gets a little rambly at
times. There are also a ton of names,
some of which are repeated (and which you’re expected to remember) and others
who you’ll never hear from again. It was a similar experience to reading Russian
novels with a long list of characters, and it was distracting from some of the
other things the novel was doing.
There
were also some moments that didn’t seem that… relevant? I guess? Again, it’s
probably because the book is a spoken narrative, but I would get frustrated with
the parts where the narrator would get sidetracked. I did like it when the narrator addressed the audience, though: she
addresses whoever she’s talking to (the audience, the reader, whoever) as “sister”
which added to the cool things the book was doing with gender.
All in all… 3/5
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